Sunday, March 29, 2015

Use of Celesta: Differences



Although Williams and Tchaikovsky both make use of the celesta, the differences in tempo, meter, and note emphasis bring about two different overall effects from the instrument.

In terms of tempo, both pieces are slow, yet “Hedwig’s Theme” is more drawn out than “Dance of the Sugar Plum Fairy,” giving it a slower feel. Tchaikovsky calls for andante non troppo tempo, which means “slow, but not too slow,” while Williams specifies a misterioso feel (“Italian Musical Terms”).

The meter, too, reflects the composers’ different uses of the celesta. Whereas Tchaikovsky composed in simple duple meter, Williams composed in simple triple. This contributes to the first piece’s more upbeat tempo than the second.

At points in “Dance of the Sugar Plum Fairy,” Tchaikovsky places a slight emphasis on higher notes to project a positive, dancelike mood on the piece. In the beginning, the string accompaniment leads into the celesta motif with soft quarter notes that slightly stress the higher notes falling on the upbeats.
 
Upbeats are not normally stressed, so this element stands out. This stress on normally unstressed notes sets the piece up perfectly for a similar phrase to come:
The staccato sixteenth notes in the second measure above follow the pattern of stressing the normally unstressed parts of the beat. The second and fourth sixteenth notes are stressed over the first and third. When played on the celesta, the stressed, higher notes create a light-hearted, dance-like effect appropriate to the Sugar Plum Fairy’s character and choreography.
In contrast, the celesta feature in “Hedwig’s Theme” is legato and slurred, and played with the sustain pedal.
 
 

“Hedwig’s Theme” is smoother and more connected than “Dance of the Sugar Plum Fairy.” This serves to draw out the notes out in a dramatic, mysterious mood that reflects the mystery in the movie.

The difference in note emphasis between the two pieces—staccato in “Dance of the Sugar Plum Fairy” and legato in “Hedwig’s Theme”—gives the same instrument, the celesta, seemingly two different sounds. The celesta can produce a light dancelike song, or a heavy dramatic song, and each composer writes according to his desired effect.